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Entries tagged with words.editing.venues.long hidden 
rosefox: Me laughing joyfully. (joyous)
Five things make a post.

1) First, the ending. Long Hidden goes out of print on May 9th. *sob* The last copies are being sold at a steep discount, with proceeds partially benefiting We Need Diverse Books. You can get discounted copies of Hidden Youth while you're there. Go help Bart and Kay clean out their warehouse while they're still allowed to sell the books! All details at that link.

2) Now, the beginnings. J has a new job! He got laid off at the end of last year and the last few months have been challenging. We are all very super excited that his nonstop hustle has landed him an excellent gig doing work he enjoys at a company he likes for good money.

3) X got a bonus and a raise! They inch ever closer to being paid what they deserve.

4) I joined a Slack for queer writers (if you want to join, let me know! All I need is your email address and i can add you) and it's been amaaaaazing for my productivity. People do 20-minute productivity sprints and then share snippets of their work and praise/critique one another in very supportive ways. Sometimes I use the sprints for day job work and sometimes for writing. I've outlined both my novels and passed the 10k mark on Valour Advances the Man (though a good chunk of that is in scenes that probably won't make it into the book but shhhhh), which is my current focus project. I haven't forgotten the Persuasion retelling but it's on the back burner right now. They'll inevitably swap at some point. I'm just so pleased to be writing! And it feels so good!

5) I reworked my Story Hospital Patreon tiers and got more people into Story Hospital Slack, hooray! Now to figure out how to keep conversations going in there. For some reason they just don't catch fire. I will probably be better at that once I'm over this rotten stinking head cold.

6) Bonus sixth thing: the DST changeover happened and I didn't hate it nearly as much as I usually do, probably because I slept 11 hours that night to try to shake the cold. (Didn't work, alas.) Kit's body clock is on the same schedule, of course, so now they're going to sleep at 9 and waking up at 7 and it's WONDERFUL. They have dinner with us! J gets to sleep in instead of waking up at 5! Not sure what we'll do in the fall when the clocks go back but for now we're just enjoying this.
rosefox: A cartoon cockroach in a bow tie counting gold coins. (money)
Okay, folks who've been to the World Fantasy Convention, talk me through why anyone does this.

* $270 for my half of a shared hotel room (Thursday/Friday/Saturday nights)
* $120 for Amtrak tickets if I buy them now, more if I buy them later
* $275 for convention membership (!)
* some unknown amount $55 for the awards banquet, probably comparable to the Nebula Banquet price of $80 (and who knows whether the banquet food can be made safe for people with allergies)
* let's say $150 for food over the course of several days without access to a supermarket and a kitchen

Total: $895 $870. At a time when all costs are seen through the filter of impending babyness.

I can't remember who suggested to me that one's publisher is supposed to pick up the tab when one is award-nominated. I would not dream of asking Crossed Genres to do this thing; they have many better uses for that money. It's not the sort of event that PW would cover, so even if WFC gives press passes (which I'm not sure they do), I couldn't justify requesting one. This is 100% out of pocket.

As far as I can tell, all the membership buys me is access to two tracks of panels and two more of readings, and first crack at banquet tickets (noting that if banquet tickets entirely sell out to members before the con, there's no way for a non-member to get one at the con). I don't really see why I should bother with either. I almost never go to programming at cons except for Readercon*; all cons are barcons to me. If the banquet were some incredibly important part of being a WFA nominee, presumably they'd comp it for the nominees, which they don't. So that cuts $355 $330 off the price right there. $540 looks somewhat more reasonable for a three-day convention. ($620 $595 if it turns out the banquet is worth going to, and if banquet tickets are made available to non-members at the convention.) If I need to drop it further I can go up Friday instead of Thursday, which reduces my costs to $400. As far as I can tell from looking at past programs, award nominees get their pins and are generally fêted on Thursdays, and the whole reason I'm going is to enjoy being a nominee... but is that worth an extra day of hotel and restaurant food? Maybe not.

* I might make an exception for RWA this year, but that's because it's so refreshing to go to a professional conference; the programming is completely different from what we get at SF cons. Incidentally, to give you an idea of why I think $275 for WFC is so absurdly high, RWA's admission fee ranges from $450 to $675 (depending on whether you're an RWA member and how early you buy a ticket), but that gets you 10 full tracks of workshops specifically aimed at professional development plus access to pitch sessions, pro headshots, meals with keynote speakers who excel in their field, and the mass book-signing, in the company of 4000 writers and publishing professionals. That is a professional conference.

The next question is, would it be worth $400 to me to go to WFC at all, even if Long Hidden weren't nominated for the WFA? Because if it's not worth $400 as a barconning attendee then it's not worth $900 as a nominee.

Everyone talks about WFC as a place where pros hang out with other pros. That's cool; I know and like a lot of pros. There are plenty of familiar names on the membership list. I'd be willing to pay $400 for a long weekend of socializing with my friends, and even to pay $620 $595 for that plus being celebrated as the co-editor of an award-worthy book; that sounds like a blast. But to be more specific, people talk about WFC as a place where pros hang out and network with other pros. The only thing I hate more than networking is being networked at. I'm happy to meet people in the field and get to know them, but once networking-minded folks realize that chatting with me won't get them a more favorable PW review, they tend to wander off and find someone more productive to network with. Even if I have lots of friends at WFC, I won't really see much of them if their priority is making connections with people they don't know. This sort of setup is not terribly conducive to me having a good time.

So if you've been to WFC, please do tell: is it possible to do it as a three-day barcon, with actual socializing rather than networking, if one already knows a great many of the people who are going? And if you've attended WFC as a WFA nominee, what was the experience like for you at the convention, especially if you'd never been before?

EDIT: I'm told by a past attendee that one must purchase a membership in order to attend the awards ceremony at all. Even as a nominee. Wow. So that $275 really is not optional. CORRECTION TO EDIT: The WFC chair (whom I'm happy to regard as an authority on this topic) says that no membership is required for the award ceremony; it's open to the public. And the banquet tickets will be $50 to $55, so I've updated my calculations above accordingly.

I have a second post here looking at the cost of attending WFC vs. the cost of attending other conventions for award nominees who wouldn't otherwise go. It's not pretty.
rosefox: An adult and a child lead a group of people fleeing from disaster (long hidden)
Long Hidden is a World Fantasy Award finalist.

I'm sharing an award ballot with Ellen Datlow, one of the greatest SF/F anthologist to ever walk the earth.

*screams*
*faints*

I wasn't going to go to WFC because X will be seven months pregnant by then, but this is a pretty good incentive, and it is only a train ride away this year. So I've put my name on the membership waitlist and booked a hotel room. I'll get the whole nominee experience! How exciting! I'm anxious already!

Honestly, I'd totally forgotten that the WFAs even had an anthology category. Once the Locus Awards were done I figured that was it. So this was a complete shock and I'm still reeling.

On Twitter, [livejournal.com profile] hrj said, "Eventually you'll get used to having your work recognized." But it's entirely possible that Long Hidden is the only anthology that will ever have my name on the cover. It might even be the only book that ever has my name on the cover. Almost everything I do is behind the scenes, professionally and as a volunteer. So being recognized this way is a big, big deal for me, and not likely to happen again, and I'm going to savor every minute.
rosefox: An adult and a child lead a group of people fleeing from disaster (long hidden)
I dreamed that I was at a convention in a big hotel somewhere, hanging out in the hotel lounge or lobby. Someone said "Oh, the Locus Awards are going on, let's watch!" and everyone turned to watch them on a big overhead TV. I realized that I hadn't asked anyone to give a thank-you speech for me in case Long Hidden won. In the dream there were people who could do Harry Potter–style magic, and so I thought I might be able to apparate over to Seattle, but the magic was like UNIX commands and needed passwords and proper syntax. I kept reading the manual over and over but I couldn't correctly pronounce the uppercase letters. Then I tried to magically transport a candy bar wrapper into a trash can (with accio, I think) and couldn't even do that. I woke up extremely frustrated, and my first waking thought was "Well, of course it didn't work, I didn't have a wand".

My second waking thought was, how do I even know so much about Potterverse magic?!

Also, I should really write a thank-you speech and give it to someone who's going to the awards. Just in case.
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